This model kit WIP installment is exclusively dedicated to the NAUTILUS’ sail. And for good reason: Much as a scale model airplanes cockpit, the sail of a submarine model is the focal point of the viewer’s attention – the ‘front office’ of the vehicle; it’s where the machines intelligence and purpose are housed. The sail is where the people are. The sail also is one of the few places where you get a sense of the dynamic of the vehicle it represents: the optical and electronic sensors rising and descending upon their masts and faring; and It’s the last thing seen as the boat dives, and the first thing seen when it surfaces.
As a display, the sail is the most interesting aspect of the model. One must do it justice if the display is to be attractive and interesting. The model submarines sail is the focal point of the display, have no doubts about that.
The sail, with all those windows (deadlights); masts and fairings; antennas; periscopes; and open bridge with its deck, compass repeater, alarm boxes, platforms and such: all items that demand special care by the model kit assembler.
Since the earliest days of submarining the conning towers -- and fairings over those conning towers if used -- featured clear windows through which watch-standers could conn the boat, surfaced or submerged.
These windows, properly called deadlights, were quickly abandoned as pressure hull penetrations with the advent of the periscope. Deadlights of any significant size present a flooding hazard should the fragile glass lens fail as a consequence of collision or close aboard explosion. In any event, even with good underwater visibility, only on rare occasions could one see past the bow of the submarine – of little utility to the helmsman maneuvering the boat while submerged.
From the 30’s onward submarine deadlights were relegated to the free-flooding portions of the conning tower fairing where watch standers would seek refuge against the waves while navigating the boat on the surface.
Today, the use of sail mounted deadlights has been all but abandoned (The Russian Rubin design bureau being the last significant advocate). With the advent of nuclear power and AIP the imperative that a submarine ride out a storm on the surface was eliminated – no need for weather beaten watch standers to duck down to a protected platform and peer out through its deadlights. Today, if it’s rough, the boat submerges and everyone enjoys the ride beneath the waves – no longer must the watch standers take green water in the face while powers puking over the side as cold water streams down their backsides (I speak from grim experience!). God bless nuclear power!
DBF … my ass!
As built, the USS NAUTILUS featured no less than three levels within the leading edge of the sail outfitted with deadlights for outside observation. The bottom platform had three deadlights; the middle platform had five deadlights; and the bridge level platform had another five deadlights. That’s a lot of Plexiglas! The US Navy finally abandoning sail mounted platforms equipped with deadlights with the introduction of the THRESHER class submarine.
The kit provided sail-top represents the ‘armour’ bulged top aft of the bridge opening. This bulg afforded a few inches of protection over the tops of the retractable antennas, induction, and optical heads – an alteration of the origional flat sail top, prompted by the famous under-ice exploits of this world famous submarine.
However, my kit is being assembled to represent the ‘as launched’ boat, with the flat sail- top. I had to make a new sail-top.
I substituted a .031” thick piece of commercially available fiberglass sheet (G-10) for the kits sail-top. This very strong material is dimensionally stable, and takes to adhesives, primer and paint very well.
Note that the G-10 sail-top piece is temporarily held to the cast resin mast foundation piece with the aid of two machine screws (seen atop the sail-top between the masts and fairings). The ability to refine the shape and position of the many sail-top holes for wells, lookout stations, masts and fairings with the mast foundation piece out of the way makes those jobs a lot easier.
The kits cast resin mast foundation piece – used to both provide some of the housing wells and supports of the masts and some of the antennas atop them – had its sides milled down and a good portion of its bottom cut away to reduce total weight/displacement. This one piece, as it was, displaced nearly one- ounce. After the cut-down it displaced about a third of that. That’s a lot of weight removed from the tallest point on the model, aiding greatly in keeping the models center-of-gravity reasonably low. This weight reduction would minimize heeling in tight turns on the surface, and would contribute to better static stability about the roll axis.
Using the original resin sail-top piece as a template, I scribed onto the G-10 the sail outline as well as the shapes and locations of the holes for the bridge, lookout stations, antenna and optics retractable masts, and fairings. Those scribed lines highlighted by smearing some artist’s oil paint over the work.
The G-10 was cut out on the band saw to outline; and the well, mast and fairing holes punched out and shaped with drills, burrs, and diamond-dust jeweler’s files.
The only two retractable masts not represented in the raised position on this model will be the communications UHF-VHF whip-antenna mast-fairings. The top of those ‘retracted’ mast-fairings represented as engraved tear-drop shaped forms scribed upon the sail-top piece.
An aluminum scribing stencil used here – the cutting done with two scratch-awls: a starting scriber with a sharp point, and a widening scriber with a blunt point to widen the engraved line. GRP material is very, very tough to scribe owing to the glass content which quickly dulls the steel tools, which required their sharpening several times during the course of this work.
As a great deal of force is applied to the scribe, both down into the work and against the inside edge of the stencil, it’s a good practice to glue the stencil in place during the entire cutting operation least the stencil shift, resulting in a ruined engraving. It’s easy enough, once the scribing is done, to pop the glued stencil off the work and scrap away any remaining adhesive from the work. On occasion I will even use machine or wood screws to hold a scribing stencil down securely onto the work.
Engraving is hard.
Filling and fairing over screw holes and scraping away glue is not.
While I was integrating the G-10 sail-top and cast resin foundation pieces I kept the two registered together with two machine screws that temporarily pulled the two pieces together. This permitted me to easily access both pieces, separately, as I cut out the holes for the masts through the G-10 sail-top, and worked to bore or sleeve the mast foundation piece bores to imperial sizes.
Damned metric-system! Can’t these people count to twelve!?....
As I stated before, big blocks of clear acrylic were employed to represent the transparent elements of the two lower platform deadlights. However, a different means of producing clear deadlights at the bridge level was required owing to the very small space between the inside surfaces of those deadlights and the front of the cast resin bridge piece.
I opened up the deadlight openings; each framed as on the prototype, and then touched the edges of these holes with a clear self-curing resin, such as epoxy glue. Now, if those openings were small enough (they were not), the strong surface-tension of the liquid would hold its form and it would bridge the entire opening as the application tool was slowly removed. The clear resin would be left to changes state from a liquid to a solid.
However, the larger openings, like these deadlights, require additional steps as the deadlight holes are way too big to be bridged in one glue application. Though it did not bridge the opening entirely, that first application of glue did build up a significant radius of clear adhesive at the deadlight corners and did build-up along the edges, reducing the amount of glue (and reducing the risk of introducing air-bubbles in later applications) needed to complete the bridging of the deadlight openings.
(You plastic model plane and ship guys may recall the ‘crystal-clear’ product for representing port holes and the like – a thick, clear-drying liquid that had the surface tension to hold form once applied with a round tool to the edges of a hole. When applied correctly the goo would hold as a film within the opening where it would be permitted to harden into a not-quiet optically clear transparency).
What David Manley taught me, and I replicated here, is to place a masking tape damn around the leading edge of the sail and apply glue from the inside, building it up thick enough to conform to the inner curvature of the sails leading edge – bridging all the deadlight openings. The outside mask insuring that the forward face of the clear glue assumed the curvature at the leading edge of the sail.
After the clear epoxy glue has cured hard the masking tape is pulled away from the sails leading edge, the inside and outside surfaces of the clear deadlights are filed, sanded, and then polished to the contours of the sail, inside and out. Deadlight masks were applied and the black (very, very dark gray) exterior painted.
Nothing to it!
It’s my practice to keep as many model assemblies separable as long as possible during the course of the job.
The entire sail assembly, only some of which you see here, is a case in point: the removable sail-top (secured to the to the sail during the in-water trimming operation and when there is a need to integrate pieces that need clearance between both sail-top and sail) permits easy access to the inside of the sail for SD snorkel mechanism integration and installation; work on the three platforms of leading edge deadlights; finish and detailing tasks to those inside surfaces of the sail seen through the open bridge and lookout stations; detailing ;installation of the sail-to-hull screw foundations; and the manufacture and fitting of the hand-rails that run both sides of the sail.
Another departure from the kit-as-provided was to make the forward ‘tub’ -- that forms the open bridge atop the sail -- removable. Accomplished by gluing four RenShape drilled and taped foundations: two to the bottom of the sail-top and two to the back of the bridge tub. Once the sail-top is glued permanently atop the sail I retain the ability to install/remove the bridge tub as required.
The two ‘L’-shaped brass items, each projecting from a side of the sail, are the mounts that interface the UHF-VHF whip antennas (represented by lengths of stretched sprue or cat whisker …. “here, kitty, kitty, kitty!”) with their respective ‘retractable’ fairing. A RenShape block glued to the bottom of the sail-top receives a whip antenna mount. Cut-outs in the sail-top and sides of the sail permitted each mount, with its attached antenna, to project well clear from the side of the sail.
The completely assembled sail-top being test fitted atop the sail. Note that all the deadlight work is done and that each deadlight has been masked and dark paint applied and the masking removed to reveal the correct number and size of deadlights that, on the real thing, permit crew observation from the three platforms within the sail – but only on the surface as the entire sail (except for the bridge hatch access tunnel) is free-flooding.
At this point the mast foundation piece will be glued to the bottom of the sail-top, the two temporary screws holding the two assemblies together removed, and their holed filled and faired over. The bridge tub will be unscrewed, removed, and set aside. And the sail-top permanently CA’ed atop the sail and the edge between sail-top and sail will be filed and sanded to the proper radius.